Death of a Salesman

Anna Fleischle is an award–winning production set and costume designer.

THEATRE includes A Very Very Very Dark Matter, A German Life and Two Ladies at The Bridge; Much Ado About Nothing and Home, I’m Darling (also Theatr Clwyd and West End, 2019 Olivier Award Nominee For Best Set Design And Best Costume Design) at the National Theatre; Hangmen at the Royal Court, West End and on Broadway (Tony nominee, 2022, Olivier Award-winner 2016 for Best Set Design, Critics’ Circle Award and Evening Standard Award for Best Design); The Collaboration, Hamlet and Death of a Salesman (also in the West End and on Broadway, 2022) at the Young Vic; The Forest at Hampstead; 2:22 A Ghost Story, Don Juan in Soho and The End of Longing in the West End; Once Upon a One More Time at the Nederlander, Chicago; A Kind of People, Liberian Girl and The Kid Stays in the Picture (for Complicite) at the Royal Court; House of Shades, The Writer and Before the Party at the Almeida; The Way of the World at the Donmar Warehouse; Everybody’s Talking About Jamie at the Crucible Sheffield, in the West End, on UK tour, in LA and Korea; Much Ado About Nothing and Troilus and Cressida at Shakespeare’s Globe; Rosencrantz and Guildenstern Are Dead at the Old Vic; Beware of Pity for Schaubühne Berlin/Complicité; Two Noble Kinsmen, Cymbeline and Love’s Sacrifice for the RSC; West Side Story, Blindsided, Saturday Night & Sunday Morning and Rat’s Tails at Manchester Royal Exchange; You Can See The Hills, Love and Money at Manchester Royal Exchange and the Young Vic.

OPERA includes Orfeo at Vienna Staatsoper; and Weimar Nightfall: Seven Deadly Sins for LA Philharmonic.

DANCE includes Message in a Bottle at Sadlers Wells; Second Coming for Scottish Dance Theatre; and John and Can We Talk About This? for DV8 Physical Theatre, the National Theatre and on international tour.

Anna Fleischle is a founding Member of Scene/Change, Associate Artist at the Young Vic, Board Member of Regent’s Park Open Air Theatre, and Ambassador for PiPA.

August 2022

Theatre includes Summer and Smoke (also West End – Olivier nomination for Best Sound Design), Chimerica (also West End – Olivier Award), Carmen Disruption and Blood Wedding at the Almeida; Death of a Salesman (also West End), Blue/Orange, Blackta and After Miss Julie at the Young Vic; All My Sons at the Old Vic; The Welkin, Downstate (Steppenwolf), The Motherfucker with the Hat, Dara, Protest Song and Double Feature at the National Theatre; White Teeth at the Kiln; Mother Courage, The Producers, The House of Bernarda Alba, Much Ado About Nothing and To Kill a Mockingbird at the Royal Exchange Manchester; Me and My Girl and Fiddler on the Roof at Chichester; The Fantastic Follies of Mrs Rich, Coriolanus, Julius Caesar, Antony and Cleopatra and King John for the Royal Shakespeare Company; A Woman of No Importance in the West End; Les Liaisons Dangereuses (also Broadway), Fathers and Sons, Dimetos and Absurdia at the Donmar Warehouse; The Believers, Beautiful Burnout and Love Song for Frantic Assembly; Hope, The Pass, The Low Road and Choir Boy at the Royal Court; The House That Will Not Stand and Handbagged (also West End) at the Tricycle; All My Sons on Broadway; Angels in America for Headlong; Thérèse Raquin at Theatre Royal Bath; Twelfth Night at Sheffield Crucible; Kasimir and Karoline and Fanny och Alexander at Malmö Stadsteater; and Tre Kronor at Dramaten Stockholm.

Opera includes Benjamin Dernière Nuit at Opera Lyon; How the Whale Became at the Royal Opera House; American Lulu for Opera Group; and After Dido for English National Opera. 

Exhibitions include Hut 11A: The Bomb Breakthrough at Bletchley Park; So You Say You Want a Revolution? Records & Rebels 1965–70 at the V&A; Exhibitionism: The Rolling Stones at the Saatchi Gallery; Collider at the Science Museum; and Louis Vuitton: Series 3.

She has also created sound design elements for Shawn Mendes’ Illuminate tour (2017) and Louis Vuitton Ready-to-wear collection shows at the Louis Vuitton Foundation and The Louvre, Paris.

February 2020